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The Southern California Sound (7) – A New Group Takes Flight

Posted by thebestmusicyouhaveneverheard on May 4, 2012
Posted in: The Southern California Sound. Tagged: Byrds, Chris Hillman, Gram Parsons, The Flying Burrito Brothers. Leave a comment

When we last looked in on the Byrds, David Crosby had been fired and Michael Clarke had quit leaving the group with only two members Roger McGuinn and Chris Hillman.  The remaining Byrds needed a band and moved quickly to hire Kevin Kelley, Chris Hillman’s cousin, as a drummer and Gram Parsons as pianist.  The key word here is hired, with both of the new band members coming on board as paid sidemen rather than full members of the group.  The group appeared to jell and although not a full member of the group Gram immediately became a major force in the band, quickly moving from piano to guitar.  Roger McGuinn was quoted in a May, 1968 article in Rolling Stone (Byrds: New Personnel For Some Old-Time Country Music) as saying “Gram added a whole hunk of country.  Gram’s bag is country and we’re going to let him do his thing, and support him and work together on things.”  The Byrds headed south, literally and figuratively.  A good portion of their upcoming album was recorded in Nashville and their new sound was not the “country rock” sound of Poco but real serious, honest to God, traditional country music.  You got a taste of this in Hickory Wind, a Gram song that I posted earlier this week.  Here is another taste with Gram and the Byrds tackling Merle Haggard’s Life In Prison.

Just because the Byrds embraced county music, doesn’t mean that Nashville embraced them!  You have to remember that this was the 60’s and being a long haired hippie, especially in the south, was taking your life in your own hands.  They were soundly booed when they became the first rock group to play at the Grand Ole Opry and they were ridiculed during their appearance on WSM radio.

In the midst of the Byrds move to country music there was a real power struggle going on within the band.  Gram was exerting more influence, and from everything that I have read, he was intent on taking over the band but this was never going to happen given that he was not a full member of the group.  You could almost sense that things were not going to end well and the situation moved quicker than anyone might have predicted.   There is no better way to hear the story than straight from the people that were there and lived it.   I think you will enjoy this.  (Don’t get confused by the title of the video, it actually traces the whole story of Gram and his time in the Byrds in less than five minutes)

So…Gram was out of the Byrds and the album that he so greatly influences, Sweetheart of the Rodeo, was still two months from being released.  Gram wrote the only two original songs on the album  and recorded the majority of the lead vocals before his departure; however, his role in the released album was greatly reduced during post-production work on the album prior to its release.   The most significant change was that Roger McGuinn erased many of Gram’s lead vocals replacing them with his own.  Gram’s vocals on Hickory Wind and Life In Prison were left untouched which is why I selected them for your listening enjoyment.

By now the Byrds were used to dealing with personnel turnover and they kept moving forward hiring Clarence White to replace Gram on guitar.  But more change was in the air.  Chris Hillman left the band a couple of months after Gram due to financial issues associated with the Byrd’s business manager.  This left Roger McGuinn as the last original member of the Byrds, a position that left him in firm control of the band.  He,and a revolving cast of sidemen, would go on for another five years and a number of albums before finally calling it quits in 1973.  Although there would still be some interesting Byrd’s music to come their career had clearly peaked so we will leave them behind.  While the Byrds were coming in for a landing a new group was taking flight on wings made out our tortillas.

It wasn’t long before Gram and Chris hooked up following their individual departures from the Byrds.  If you watched Chris on the video above it was clear that he had found a kindred sprit in Gram, so it was really not a surprise to see them team up.  They named the new group the Flying Burrito Brothers and recruited “Sneaky Pete Kleinow (steel guitar) and Chris Ethridge (bass) to round out the initial group.  They used a variety of different drummers in their early work and eventually hired Michael Clarke (you will remember him as one of the original Byrds) as a full time drummer.

It will come as no surprise that the band had a seriously country sound.  This sound was highlighted throughout their first album, named The Gilded Palace of Sin, on which all but two of the songs was written by Gram and/or Chris.  The album would prove to be incredibly influential over time.  It is ranked at 195 on Rolling Stones top 500 album list and was a major influence on all country rock/alt country performers that would follow in their path.  Amazingly the album would never achieve any significant commercial success as reflected in the fact that it still has still not achieved Gold record status over 40 years after its release.  Enough talking, let’s have a listen to Sin City written by Gram and Chris.

Now let’s listen to my favorite song from the album, Christine’s Tune, which was also written by Gram and Chris.  As always, I apologize in advance for the advertisement in the video.

In my opinion that song/video is perfect: the suits; Gram and Chris trading lead vocals; the vocal harmony between Chris and Gram; and the crazy psychedelic sound that Sneaky Pete got out of that steel guitar.  I would really like to be able to end this story right here on that high note but unfortunately I can’t.

The band started to come apart pretty quickly.  Chris Ethridge left and was replaced by Bernie Leadon.  Gram and Chris Hillman started to fall apart as Gram started to go off the deep end with drugs.  Their next album Burrito Deluxe was cobbled together in the studio and featured little of the collaborative songwriting that had made the first album so special.  Gram left soon after the albums release and as far I am concerned the Burritos that I knew and loved ended at that point.  The band would trudge on running through a number of talented musicians  (Rick Roberts, Al Perkins, Byron Berline, etc.) some of which will show up in later posts.

Gram will not be discussed in future posts in this series but we will come back to address the remainder of his career in a dedicated post in the future.  For now I will give you the Readers Digest version of the sad story.  His drug use continued to worsen after leaving the Burritos.  He had a short but eventful solo career before dying of a drug overdose in 1973.  The events following his death have taken on legendary status.  and I will save them for the promised dedicated post in the future.

For now, I will leave you with this trailer from the Fallen Angel documentary about Gram.

RIP Gram!

Long Song Tuesday #13 – New Music That Doesn’t Suck #2

Posted by thebestmusicyouhaveneverheard on May 1, 2012
Posted in: Long Song Tuesday, New Music That Doesn't Suck. Tagged: Fleet Foxes. Leave a comment

In honor of our lucky #13 post in our Long Song Tuesday series, we are posting some more new music that doesn’t suck.

An amazing 2008 performance of Sun Giant and Blue Ridge Mountains in an awesome location in Paris.  I need to thank my son for introducing me to Fleet Foxes.  Watch, Listen, Enjoy!

Fleet Foxes are kind of like potato chips in that you can’t just eat one so here is a bonus second song.

New Music That Doesn’t Suck #1

Posted by thebestmusicyouhaveneverheard on April 30, 2012
Posted in: New Music That Doesn't Suck. Tagged: Ben Howard. Leave a comment

So….today I was thinking that most of you that have been reading this blog have probably formulated an opinion about me.  These opinions might be along the lines of: “Old fart that is obsessed with old music.”

If you have that opinion, I can tell you that you are half right.  I am old but I am obsessed with great music not old music.  I post a lot about old music because there is not a lot of new music that is great!

I say all of this to introduce you to some new music that is Great.

Ben Howard, in my humble opinion, is a major new talent.  I highly encourage you to buy his new album, Every Kingdom, that was released last year on Island records.  It  has had a place of honor on my Ipod since I bought it.  Let me know what you think of Ben.  Also, let me know if you have other new music that you think is great.  I will discuss any inputs that I get in a future New Music That Doesn’t Suck post.

A Preview – The Byrds Fly South

Posted by thebestmusicyouhaveneverheard on April 28, 2012
Posted in: The Southern California Sound. Tagged: Byrds. Leave a comment

I am working on the next post in The California Sound series and hope to have it ready by the end of next week.  In the meantime, I thought you might enjoy a preview.  In our next California Sound post we will check back in with the Byrds after the departure of David Crosby.  You might say that things went South…no I don’t mean that things went bad, what I mean is that things went Country.  Listen to this song from their first album after David’s departure and you will see what I mean.

More details to come.  Stay tuned.

The Southern California Sound (6) – The Loner

Posted by thebestmusicyouhaveneverheard on April 27, 2012
Posted in: The Southern California Sound. Tagged: Buffalo Springfield, Neil Young. Leave a comment

So, in the last couple of posts we have talked about what happened to Stephen Stills, Richie, Furary, and Jim Messina after the breakup of Buffalo Springfield and I bet some of you might be wondering what happened to Neil Young.  Looking back on the second post in this series you might recall that Neil had already left Buffalo Springfiled a couple of times before the band officially broke up so he had more time to plan his future moves than the rest of the guys.  Soon after the breakup he was quoted as saying “I never wanted to be in a group.  I came out here to make as a single…” and that was the path that Neil resumed with the breakup of Buffalo Springfield.   Neil selected Elliott Roberts as his manager after the breakup of the group and, amazingly, Elliott is still his manager today.  With the help of Elliott, Neil was signed to a recording contract with Warner/Reprise records and work on his self titled solo was initiated in mid-1968.  David Briggs produced the album kicking off a relationship with Neil that lasted through David’s death in 1995.  The Rolling Stone review of the album stated: “One could very easily view this disc as an extension of Young’s work on the Buffalo Springfield Again album….” and I agree that the album was somewhat of a natural progression.  Let’s listen to my favorite song from the album.

Much of the remainder of the album seemed to be over produced, in my opinion.  Here We Are In The Years is one example that highlights the over production.

This excerpt from Shakey (a Neil Young biography written by Jimmy McDonough) serves to somewhat build a case for my opinion “Neil Young shows Briggs and Young in a conventional L.A. studio setting: building tracks piece by piece, playing around with string sections, echo chambers and limiters, making the smooth, seamless, professional record expected of them.  Who knew it would be their last?”

At this point you might be saying, that quote doesn’t make sense!  I though you said Neil and David worked together through 1995, how could Neil Young have been their last?  Well that isn’t what Jimmy McDonough meant.  What he meant was that this would be the last time that Neil and David did anything that was expected of them.  Neil Young was, and continues to be, a chameleon and after the release of Neil Young he was getting ready to change everything.

Neil had stumbled onto a group called The Rockets during his Springfield days and over time their relationship grew closer (read Shakey if you are interested in the details).   He eventually played with them during one of their gigs at the Troubadour and something in Neil clicked.  While the sound on his first album was over produced, the sound when he played with the Rockets was raw, improvisational, and exactly where Neil wanted to head next.  After a follow-on jam session with three members of the Rockets (Danny Whitten on guitar, Billy Talbot on bass, and  Ralph Molina on drums) Neil named the trio Crazy Horse and they went into the studio  in 1969 to record Neil’s next album Everybody Knows This Is Nowhere (credited to Neil Young with Crazy Horse).  Let’s listen to a couple of songs from the album.  First up is Cinnamon Girl, my favorite song from the album.

Next up is the title track from the album, Everybody Knows This Is Nowhere.

Quite a difference between the sound of these two songs and Here We Are In The Years from the first album isn’t there?  Neil had found his niche.

With the release of his first two albums, Neil’s solo career was off and running and it was hard to imagine him ever going back to being a member of another group that he did not exercise complete control over.  But we shall see…..don’t forget what I said about Neil being a chameleon!  We will check back in on Neil’s career in a future post in the Southern California Sound series.

Long Song Tuesday #12

Posted by thebestmusicyouhaveneverheard on April 24, 2012
Posted in: Long Song Tuesday. Tagged: Dan Fogelberg. Leave a comment

We have a special edition of Long Song Tuesday today. It is a tribute to Dan Fogelberg, beautifully composed by beggarsgame on YouTube.  For those of you who know and love Dan, think of it as a tribute.  For those of you who aren’t familiar with Dan, think of it as an educational introduction to a singer/songwriter that that you need to learn about.

Three of Dan’s songs, Tullamore Dew, Winterskol, and Ever On, are featured in the video.  If you are interested in knowing more about Dan, let me know and I will be happy to give you some recommendations of where to start in his catalog.

Video Access Is Now Restored

Posted by thebestmusicyouhaveneverheard on April 22, 2012
Posted in: Blog Enhancements. Leave a comment

I just discovered, and fixed, a problem with the privacy settings for videos that I have posted over the past couple of days.

If you recently tried to access any of these videos and were unsuccessful, please try again.  Sorry for the inconvenience!

The Innocent Age – A Tribute

Posted by thebestmusicyouhaveneverheard on April 22, 2012
Posted in: Tribute Songs. Tagged: Buffalo Springfield, Dan Fogelberg. Leave a comment

Since I have featured Dan Fogelberg on a number of my posts you have probably figured out that he was one of my favorite performers.  I was thinking about him as I finished up my most recent posts in The California Sound series.  Dan, like myself, was a huge fan of Buffalo Springfield.  He wrote a beautiful song, The Innocent Age, which he described as,  “My tribute to my favorite American band, Buffalo Springfield. Really went after the guitar and drums sounds from their records. It was a great touch to have Ritchie Furay (original Springfield member) sing harmony on it. Thanks, Rich!”  I added a short introduction to Dan’s tribute song and a few pictures.  I hope you enjoy this collaboration.

Dan passed away a couple of years ago but he had a tremendous influence on me and millions of other people.  He once stated, “You’re successful if you can get one person to pick it up and put it on the turntable and go, Wow, thanks for writing that!”  which was my inspiration for this blog.  If just one person reads this blog and in so doing finds some joy or learns something new about music I will consider myself, and the blog, to be a success.

RIP Dan!

The Poco Post In The Southern California Sound Series Is Now Complete

Posted by thebestmusicyouhaveneverheard on April 21, 2012
Posted in: The Southern California Sound. Leave a comment

Please take a look.

The next Post in the series, titled The Loner, should be posted before next weekend.  It should be a great one so keep checking back.

Many thanks to each of from around the world that are faithful visitors to this blog.

The Southern California Sound (5) – Pickin Up The Pieces

Posted by thebestmusicyouhaveneverheard on April 21, 2012
Posted in: The Southern California Sound. Tagged: Poco. 2 Comments

We now return you to our regularly scheduled programming….

So, when we checked in on Buffalo Springfield in The California Sound (4) the group had broken up.  Richie Furay and Jim Messina took some tracks recorded prior to the breakup and used them to create a final contractually required Buffalo Springfield record that was appropriately titled Last Time Around.  Lets listen to Kind Woman, one of Richie’s songs that was included on that album.

This song, like many of the others on the album, was really more of a solo effort than a Buffalo Springfield song.  It featured Richie, Jim, and a pedal steel guitar player named Rusty Young who added to the country sound of the song.  Richie and Jim had a mutual love of the country sound reflected in Kind Woman and with the demise of Buffalo Springfield decided to form their own band, Poco, that could focus on that sound.  Rusty Young was a known quantity based on Kind Woman and was a natural for the new group as the pedal steel player. The group was completed with the addition of George Grantham on drums and Randy Meisner on bass.

As we mentioned in The California Sound (4) post, Richie Furay was “traded” to Epic records in a deal to free Graham Nash to join David Crosby and Stephen Stills on Atlantic Records, so Poco was of course signed to Epic records.  The groups first record for Epic was named Pickin Up The Pieces (I have always assumed that this was a reference to Richie and Jim starting over again after the collapse of Buffalo Springfield).  The music on the album was a natural progression from Richie’s and Jim’s contributions to Buffalo Springfield.  The album was not a huge commercial success but it is generally recognized as one of the earliest examples of the new country rock music genre that was starting to take shape.  From a song writing perspective, the album was dominated by Richie.  Here is  Pickin Up The Pieces, the title song from the album, written by Richie.

Let’s listen to You Better Think Twice from Jim and then we will talk about some changes in the group that took place even before the release of Pickin Up The Pieces.

The album triggered the first in a long running series of band personnel changes that continue through today.  When watching the two videos above, you might have noticed that someone was missing from the album cover illustration.  Randy Meisner had left (or was kicked out of) the band immediately before the album’s release and his image was removed from the album cover and replaced with the dog (that was pretty cold in my opinion).  Based on multiple sources that I have read, the root of the issues associated with Randy’s departure from the band was a disagreement between him and Richie about the mixing of the album.  Randy’s view of the situation is summarized on www.randymeisneronline.com “When Poco began recording its first album, Pickin’ Up the Pieces, Meisner realized how little the band’s founders Furay and Messina thought of him. They considered him little more than a session player, allowing him no input into the production of the songs. Dissatisfied, Meisner complained that he might as well not be a part of the band if that was the way they looked at him. They agreed, and fired him.”   We will check in with Randy’s career in future posts in The Southern California Sound series.

Looking at the following list of the various incarnations of Poco (thanks to Wikipedia for this list) will give you a better idea as to the number of personnel changes that have taken place in the band over time.

Poco Lineups Over Time (from Wikipedia Poco Article)

1968–1969
  • Richie Furay – guitars, vocals
  • Jim Messina – guitars, bass, vocals
  • Rusty Young – pedal steel guitar, Dobro
  • Randy Meisner – bass, vocals
  • George Grantham – drums, vocals
1969
  • Richie Furay – guitars, vocals
  • Jim Messina – guitars, bass, vocals
  • Rusty Young – pedal steel guitar, Dobro
  • George Grantham – drums, vocals
1969–1970
  • Richie Furay – guitars, vocals
  • Jim Messina – guitars, vocals
  • Rusty Young – pedal steel guitar, Dobro
  • Timothy B. Schmit – bass, harmonica, vocals
  • George Grantham – drums, vocals
1970–1973
  • Richie Furay – guitars, vocals
  • Paul Cotton – guitars, vocals
  • Rusty Young – pedal steel guitar, banjo, Dobro
  • Timothy B. Schmit – bass, harmonica, vocals
  • George Grantham – drums, vocals
1973–1976
  • Paul Cotton – guitars, vocals
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, vocals
  • Timothy B. Schmit – bass, harmonica, vocals
  • George Grantham – drums, vocals
1976
  • Paul Cotton – guitars, vocals
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, vocals
  • Timothy B. Schmit – bass, harmonica, vocals
  • George Grantham – drums, vocals
  • Al Garth – saxophone, violin
1976–1977
  • Paul Cotton – guitars, vocals
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, vocals
  • Timothy B. Schmit – bass, harmonica, vocals
  • George Grantham – drums, vocals
1978
  • Paul Cotton – guitars, vocals
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, vocals
  • Charlie Harrison – bass, backing vocals
  • Steve Chapman – drums
1978–1983
  • Paul Cotton – guitars, vocals
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, vocals
  • Charlie Harrison – bass, backing vocals
  • Steve Chapman – drums
  • Kim Bullard – keyboards, backing vocals
1984
  • Paul Cotton – guitars, vocals
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, vocals
  • Steve Chapman – drums
  • Rick Seratte – keyboards, backing vocals
  • Charlie Harrison/Jeff Steele – bass
1985
  • Paul Cotton – guitars, vocals
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, vocals
  • Jack Sundrud – bass, guitar, vocals
  • George Grantham – drums, vocals
1986–1987
  • Paul Cotton – guitars, vocals
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, vocals
  • Jack Sundrud – bass, guitar, vocals
  • Steve Chapman – drums
1988–1989
  • Richie Furay – guitars, vocals
  • Jim Messina – guitars, bass, vocals
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, vocals
  • Randy Meisner – bass, guitar, vocals
  • George Grantham – drums, vocals
1989–1990
  • Richie Furay – guitars, vocals
  • Jim Messina – guitars, bass, vocals
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, vocals
  • Randy Meisner – bass, guitar, vocals
  • George Grantham – drums, vocals
  • Dave Vanecore – keyboards
1990
  • Jim Messina – guitars, bass, vocals
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, vocals
  • Randy Meisner – bass, guitar, vocals
  • George Grantham – drums, vocals
  • Jack Sundrud – guitar, vocals
  • Dave Vanecore – keyboards
1991
  • Jim Messina – guitars, bass, vocals
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, vocals
  • Randy Meisner – bass, guitar, vocals
  • Gary Mallaber was added on drums for a July 1991 Japanese tour
1992–1999
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, vocals
  • Paul Cotton – guitars, vocals
  • Richard Neville – bass, vocals
  • Tim Smith – drums, backing vocals
  • Young and Cotton also appeared as a duo during this era playing acoustic sets
  • George Lawrence filled in on drums for Smith for some shows in 1999
2000–2004
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, vocals
  • Paul Cotton – guitars, vocals
  • Jack Sundrud – bass, guitar, vocals
  • George Grantham – drums, vocals
2004–2010
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, vocals
  • Paul Cotton – guitars, vocals
  • Jack Sundrud – bass, guitar, vocals
  • George Lawrence – drums
2010–present
  • Rusty Young – pedal steel guitar, banjo, Dobro, guitar, mandolin, lap steel guitar, electric guitar, acoustic guitar, vocals
  • Jack Sundrud – bass, acoustic guitar, vocals
  • George Lawrence – drums and percussion
  • Michael Webb – keyboards, B3, electric guitar, accordion, mandolin, vocals

What was your favorite Poco lineup?  I can tell you that my favorite Poco music came from lineups from the early to mid-1970s.  We will check back in on Poco, and the fate of some of its members, in upcoming posts from The Southern California Sound series.  Look for the next post in the series sometime before next weekend.

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