I just discovered, and fixed, a problem with the privacy settings for videos that I have posted over the past couple of days.
If you recently tried to access any of these videos and were unsuccessful, please try again. Sorry for the inconvenience!
I just discovered, and fixed, a problem with the privacy settings for videos that I have posted over the past couple of days.
If you recently tried to access any of these videos and were unsuccessful, please try again. Sorry for the inconvenience!
Since I have featured Dan Fogelberg on a number of my posts you have probably figured out that he was one of my favorite performers. I was thinking about him as I finished up my most recent posts in The California Sound series. Dan, like myself, was a huge fan of Buffalo Springfield. He wrote a beautiful song, The Innocent Age, which he described as, “My tribute to my favorite American band, Buffalo Springfield. Really went after the guitar and drums sounds from their records. It was a great touch to have Ritchie Furay (original Springfield member) sing harmony on it. Thanks, Rich!” I added a short introduction to Dan’s tribute song and a few pictures. I hope you enjoy this collaboration.
Dan passed away a couple of years ago but he had a tremendous influence on me and millions of other people. He once stated, “You’re successful if you can get one person to pick it up and put it on the turntable and go, Wow, thanks for writing that!” which was my inspiration for this blog. If just one person reads this blog and in so doing finds some joy or learns something new about music I will consider myself, and the blog, to be a success.
RIP Dan!
Please take a look.
The next Post in the series, titled The Loner, should be posted before next weekend. It should be a great one so keep checking back.
Many thanks to each of from around the world that are faithful visitors to this blog.
We now return you to our regularly scheduled programming….
So, when we checked in on Buffalo Springfield in The California Sound (4) the group had broken up. Richie Furay and Jim Messina took some tracks recorded prior to the breakup and used them to create a final contractually required Buffalo Springfield record that was appropriately titled Last Time Around. Lets listen to Kind Woman, one of Richie’s songs that was included on that album.
This song, like many of the others on the album, was really more of a solo effort than a Buffalo Springfield song. It featured Richie, Jim, and a pedal steel guitar player named Rusty Young who added to the country sound of the song. Richie and Jim had a mutual love of the country sound reflected in Kind Woman and with the demise of Buffalo Springfield decided to form their own band, Poco, that could focus on that sound. Rusty Young was a known quantity based on Kind Woman and was a natural for the new group as the pedal steel player. The group was completed with the addition of George Grantham on drums and Randy Meisner on bass.
As we mentioned in The California Sound (4) post, Richie Furay was “traded” to Epic records in a deal to free Graham Nash to join David Crosby and Stephen Stills on Atlantic Records, so Poco was of course signed to Epic records. The groups first record for Epic was named Pickin Up The Pieces (I have always assumed that this was a reference to Richie and Jim starting over again after the collapse of Buffalo Springfield). The music on the album was a natural progression from Richie’s and Jim’s contributions to Buffalo Springfield. The album was not a huge commercial success but it is generally recognized as one of the earliest examples of the new country rock music genre that was starting to take shape. From a song writing perspective, the album was dominated by Richie. Here is Pickin Up The Pieces, the title song from the album, written by Richie.
Let’s listen to You Better Think Twice from Jim and then we will talk about some changes in the group that took place even before the release of Pickin Up The Pieces.
The album triggered the first in a long running series of band personnel changes that continue through today. When watching the two videos above, you might have noticed that someone was missing from the album cover illustration. Randy Meisner had left (or was kicked out of) the band immediately before the album’s release and his image was removed from the album cover and replaced with the dog (that was pretty cold in my opinion). Based on multiple sources that I have read, the root of the issues associated with Randy’s departure from the band was a disagreement between him and Richie about the mixing of the album. Randy’s view of the situation is summarized on www.randymeisneronline.com “When Poco began recording its first album, Pickin’ Up the Pieces, Meisner realized how little the band’s founders Furay and Messina thought of him. They considered him little more than a session player, allowing him no input into the production of the songs. Dissatisfied, Meisner complained that he might as well not be a part of the band if that was the way they looked at him. They agreed, and fired him.” We will check in with Randy’s career in future posts in The Southern California Sound series.
Looking at the following list of the various incarnations of Poco (thanks to Wikipedia for this list) will give you a better idea as to the number of personnel changes that have taken place in the band over time.
| 1968–1969 |
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|---|---|
| 1969 |
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| 1969–1970 |
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| 1970–1973 |
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| 1973–1976 |
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| 1976 |
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| 1976–1977 |
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| 1978 |
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| 1978–1983 |
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| 1984 |
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| 1985 |
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| 1986–1987 |
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| 1988–1989 |
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| 1989–1990 |
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| 1990 |
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| 1991 |
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| 1992–1999 |
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| 2000–2004 |
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| 2004–2010 |
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| 2010–present |
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What was your favorite Poco lineup? I can tell you that my favorite Poco music came from lineups from the early to mid-1970s. We will check back in on Poco, and the fate of some of its members, in upcoming posts from The Southern California Sound series. Look for the next post in the series sometime before next weekend.
When I started this blog one of my big challenges was figuring out how to provide you with access to the music that I wanted to write about. After a lot of research into different options, and legal ramifications of those options, I settled on using embedded YouTube videos. I was amazed at the music that was available on YouTube and have been able to find existing videos for much, but not all, of the music that I have shared so far.
As noted in the title to this post, I hate videos with ads! I have spent an incredible amount of time locating the right ad-free music videos for posts. When this has proved to be impossible, I have created the needed videos myself in my private YouTube site that I have set up as ad-free. Unfortunately, I have run into a problem while working on the next post in the California Sound series. I have been unable to find ad-free versions of the songs I plan to highlight in the post so I have been busily creating my own. I uploaded these videos to YouTube last night and when I tested them they had ads. As I researched why the ads appeared I found bad news, good news, and then more bad news. Let me explain.
I discovered that the videos I created were flagged by YouTube as copyrighted material (bad news). There was some good news; however, because YouTube indicated that this material was allowed on YouTube with one provision. The provision was that the videos would be displayed with ads (bad news). I assume that the ad revenue goes to the copyright holder (which seems fair) but have I mention how much I hate ads???
So…I want to apologize in advance for the fact that you are going to see some ads in the videos I will use for my next post. Trust me when I tell you that I will do everything in my power to provide you with ad-free music in future posts, and if you do see ads in a post, it is because I have no other options. Thanks in advance for your patience on this issue.
As a reward for that patience, please enjoy this Bruce Springsteen video for Death To My Hometown which happens to be completely ad-free. Thanks Bruce!
The original version of today’s song is one of my favorites from the Beatles. I know you will enjoy the song but you may enjoy the rare video footage of the Beatles even more.
The cover version of this song is a rarity itself. The song is an instrumental by a band called Hour Glass and I would be willing to bet that many of you of have never heard of them. The band was formed in LA in 1967 and were contemporaries of many of the bands we have been discussing in our California Sound posts (Hour Glass opened for Buffalo Springfield and Neil Young wrote the Liner notes for their second album). The gentleman playing the electric sitar on this cover song ended up being a decent guitarist. See what you think about his sitar chops and then we will talk more.
I think the picture on the video has probably spoiled the surprise, the Hour Glass guitarist, and sometimes sitarist, was Duane Allman….Guitar God for the Allman Brothers and Derek and the Dominos. By the way, his kid brother Greg was the keyboard player and vocalist for the Hour Glass. Let’s listen to another Hour Glass song, this one with vocals, so you see how Greg sounded while still developing his vocal and songwriting prowess.
While this piece of 1960s psychedelic music is a far cry from what was to come with the Allman Brothers, if you listen close you can just sense that these guys are headed for far bigger things.
Speaking of the far bigger things to come, I have a question for you. Do you like/are you interested in US Southern Rock (Allman Brothers, Lynard Skynard, Marshall Tucker, Outlaws, etc.)? I am thinking about writing about it in a couple of months once we finish the California Sound posts. Let me know what you think.
Neil Young live in Madrid 2008.
But wait….there’s more. The Tuesday after a Friday the 13th will henceforth be known as Twofer Tuesday. Here is your bonus Neil track, this one an acoustic version of Cortez the Killer from 1999.
l finally finished the California Sound (4) – Triumvirate post. Please go back and check it out. When you do, you will understand the significance of this song to the beginnings of Crosby, Stills, and Nash.
I will be back with another post soon.
I made an update to the currently in-progress California Sound (4) – Triumvirate post. Please check it out.
I will do my best to finish it off by this weekend, the best is yet to come. Here is a preview of things to come as a reward for your patience.
Not bad for their first public performance!
I moved to Houston in June of 1978 to work on the Space Shuttle simulator. Unbeknownst to me, Houston had been a hotbed of Bruce Springsteen support for many years so Bruce made two stops in Houston that year on the Darkness on the Edge of Town tour. I was fortunate enough to go to both shows! To this day, these two concerts are the best that I have ever seen.
The first concert was in July at the Sam Houston Coliseum, an aging 9,000 seat arena near downtown. The show was unbelievable! Bruce was on fire and the show seemed to go on forever. He told more stories that night than at any of his concerts I have seen since and to be honest I love his stories as much as I love his music. I was Bruce fan before that night but I was a Bruce fanatic from that point forward.
I could not believe my luck when the tour, which continued to pickup up steam through the last part of 1978, made a second 1978 stop in Houston in December. This second show was at the much bigger and newer Summit Arena which seated almost 17000. It was another amazing show although it lacked the intimacy of the July concert at the smaller Sam Houston Coliseum. Luckily for you, video tape of the Summit concert was uncovered and released as part of the Darkness on the Edge of Town box set released a couple of years back. So…travel back with me to that December evening in 1978 and relive the incredible Detroit Medley which is today’s long song.
I hope you enjoyed that as much as I continue to enjoy it to this day! As always, let me know what you think.
RIP Clarence and Danny…..you will always be in our hearts