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Forty Years Ago Today – July/August Album Releases

Posted by thebestmusicyouhaveneverheard on September 2, 2013
Posted in: Forty Years Ago Today, Rock History. Tagged: 10cc, Carlos Santana and John McLaughlin, Lynyrd Skynyrd, Marvin Gaye, New York Dolls, Queen, The Allman Brothers Band. Leave a comment

cover_200-1d1e9c5db854c9deb122be20b45cfb447aa6e9ad-s6-c30

Albums released  in July and August of 1973 featured a number of new bands, a notable comeback, a notable follow-up to an earlier classic, and an amazing collaboration.  Let’s dive right in to some of the highlights

July

Queen – Queen

Before becoming the band that we all know and love as Queen, the band was known as Smile and featured Brian May and Roger Taylor.  When Farrokh Bulsara, joined Smile things began to change: Farrokh Bulsara became Freddy Mercury, Smile became Queen, and the band became more experimental.  With the creation of Queen,  the music world would never be the same. The band released their self titled first album in July of 1973 and the lead off song on the album was called Keep Yourself Alive.  Let’s listen……..

New Your Dolls – New York Dolls

Here is what I had to say about the New York Dolls in an earlier post:

Some call them glam, some call them the Godfathers of Punk (I think Iggy owns that title), some call them the fathers of the New York rock scene (The Ramones, Blondie, etc), some call them outrageous, and some thought they were a joke.   I thought they rocked and I loved them.  Come on, how could you not love these guys?  They are the only group that I know of that was honored as both the best and worst new group in the same year….in the same magazine.

The Dolls released their first album in July of 1973 and it was amazing.  Here is one of its best songs….let’s listen………..

10cc – 10cc

Here is what I had to say about 10cc in an earlier post:

10cc were one of the true pop treasures of the early 1970s but they were a band with a split personality.  The band’s four members included two songwriting teams.  Eric Stewart and Graham Gouldman were pop songwriters and accounted for the groups hit songs.  Kevin Godley and Lol Creme were the more experimental half of 10cc and produced the more arty portion of the group’s material.

My favorite song from their, self named, debut album is called The Dean and I and was written by Godley and Creme.  As reported in Wikipedia:

The song is written from the perspective of an American father telling his children about how he met and fell in love with their mother, with the first real line of the song being “Hey, kids, let me tell you how I met your mom. We were dancing and romancing at the senior prom”. The epic poem Paradise Lost by John Milton is mentioned in the lyrics. The later part of the lyric tackles the grim realities of middle-aged married life “…when the paint is peeling, and all the chips are down…”

Did I mention those two guys were artsy?  Let’s listen……..

Carlos Santana and John McLaughlin – Love Devotion and Surrender

Along with the new bands discussed above, July 1973 was also notable for the release of an amazing collaboration between two of the best guitarists of their time: Carlos Santana, leader of the rock band Santana, and John McLaughlin, a jazz fusion guitarist and leader of the Mahavishnu Orchestra.  The two men were both followers of Sri Chinmoy and huge fans of John Coltrane and these common interests provided the inspiration for their 1973 collaboration, named Love Devotion and Surrender.  The lead off song was their take on A Love Supreme, one of Coltrane’s most amazing compositions.  Let’s listen…..

August

Lynyrd Skynyrd – (Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd)

Here is what I had to say about Lynyrd Skynyrd in an earlier post:

Lynyrd Skynyrd emerged from Jacksonville, Florida as a fully formed southern rock band that was ready to kick ass.  They named themselves after their high school gym teacher and produced an amazing first album in 1973, Pronounced Leh’-nerd Skin-nerd.

When I featured this album as an album of the week I mentioned that Gimme Three Steps was my favorite song from their debut and that hasn’t changed.  Let’s listen…..

Marvin Gaye – Let’s Get It On

Marvin Gaye had release his classic album What’s Going On in 1971.  Producing a follow-up to one of the best albums of all time was not a easy task but Marvin was up for the job.  He released Let’s Get it On in August of 1973, and while it never reached the heights of What’s Going On, it was still an absolute vocal masterpiece in my opinion.  Let’s listen to my favorite song from the album………

Allman Brothers Band – Brothers and Sisters

As we have previously discussed in this blog, the Allman Brothers Band had dealt with some unimaginable losses in the early 1970.  Both Duane Allman, defacto leader of the band, and Berry Oakley, the band’s bass player, were killed in separate motorcycle accidents in Macon, Georgia.  With these losses, the band’s future was anything but guaranteed.  Any ideas about the demise of the band were put to rest by the release of Brothers and Sisters in August of 1973.  The band’s sound had changed, out of necessity.  The dual lead guitars were gone and Dicky Betts stepped up as a major songwriter.  Amazingly enough, the album represented the biggest commercial success of the group.  Although Greg only wrote two of the album’s songs they were my favorites.  Let’s listen to one of them……

Two’fer Tuesday/The San Francisco Sound – It’s A Beautiful Day

Posted by thebestmusicyouhaveneverheard on August 28, 2013
Posted in: Great Rock Stories, Rock History, The San Francisco Sound, Tragic Rock Stories. Tagged: It's A Beautiful Day. Leave a comment

Beautiful Day

For my second post in The San Francisco Sound series I have another great Bay Area band from the 60s, It’s A Beautiful Day.  Here’s a short history of the band that I compiled from bluoz.com and Wikipedia.

It’s a story that has been repeated way too often in the music business……talented band signs with crooked manager.  Unfortunately it’s exactly what happened with It’s A Beautiful Day.  The band initially formed in San Francisco in 1967 and soon signed a management deal with Matthew Katz.  Katz was already the manager of two established San Francisco bands, Jefferson Airplane and Moby Grape , so It’s  A Beautiful Day thought they were on their way.  Little did they know that both Jefferson Airplane and Moby Grape were scrambling to cut their ties with Katz.  Rather than allowing the band to start to establish its reputation in the hot San Francisco music scene Katz exiled them to Seattle………to play at a crappy club that HE owned.  The band tanked in Seattle!  When they finally made it back to San Francisco they took matters into their own hands, started to book their own dates, and began building a fan base.

Let’s listen to a couple of great live performances from the great Fillmore Concert Hall in San Francisco during that timeframe……

Hot Summer Day (Live At The Fillmore 1968)

White Bird (Live At The Fillmore 1968)

After kickstarting their career (without the help of Katz) they started to try to sever their ties with Katz via a lawsuit.  It was ugly but the band won their freedom in mid-1969 with the court determining that it was the band’s talent, not Katz’s management, that was the basis for their success.  Once free, the band quickly signed a recording contract with Columbia records and recorded a terrific, self-titled, debut album that included both of the songs above.  White Bird actually became a minor hit for the band, reaching 118 on the singles chart.

As it turns out, Katz wasn’t completely useless…..the band wrote White Bird while exiled to Seattle.  In the words of David LaFlamme, a classically trained violinist and defacto leader of the band,…..

“Where the ‘white bird’ thing came from…We were like caged birds in an attic.  We had no money, no transportation, the weather was miserable.  We were just barely getting by on a very small food allowance provided to us.  I was quite an experience, but it was very creative in a way.”

Talk about turning lemons into lemonade…….

Unfortunately, the band soon started to implode with the original members leaving over time.  There would be more albums but none that reached the heights of their amazing debut.   As a bonus, here’s that debut album in it’s entirety.

1. White Bird (0:00–6:11)
2. Hot Summer Day (6:12–12:02)
3. Wasted Union Blues (12:03–16:12)
4. Girl With No Eyes (16:13–20:03)
5. Bombay Calling (20:04–24:32)
6. Bulgaria (24:33–30:47)
7. Time Is (30:48–40:27)

Remember Katz…..well he wasn’t done with the group yet.  In 1973 he refiled his original lawsuit and this time he won….. most likely because the original group no longer existed.  Katz won the rights to the band name and the group, at least under the name It’s A Beautiful Day, was no more.  Yet another sad tale from the music business!

And Epic Riff #3 Is………Don’t Call Us We’ll Call You by Sugarloaf

Posted by thebestmusicyouhaveneverheard on August 23, 2013
Posted in: EPIC Riffs, Great Rock Stories. Tagged: Sugarloaf. Leave a comment

Sugarloaf 1

Don’t Call Us We’ll Call You is a mini pop masterpiece.  It has a rockin’ riff, a great story, and it’s funny as hell.  Allmusic.com called it “bubblegum sarcasm” which perfectly captures the tone of the song.  Sugarloaf as a group  is very underrated and it’s hard to call out a better rock keyboard player than Jerry Corbetta from the mid-1970s (although he seldom gets the credit he deserves).  Listen close to hear their use of both a Beatles and Stevie Wonder riff at different parts of the song.

Stay tuned for the next Epic Opening Riff post where we’ll feature a great guitar based Epic Opening Riff…..finally!

Two’fer Tuesday/The San Francisco Sound – Quicksilver Messenger Service (album edition)

Posted by thebestmusicyouhaveneverheard on August 21, 2013
Posted in: Album Of The Week, Rock History, The San Francisco Sound, Two'fer Tuesday. Tagged: Quicksilver Messenger Service. Leave a comment

Quicksilver

Some of you may not be familiar with Quicksilver Messenger Service so here’s a quick introduction from my copy of Lillian Roxon’s Rock Encyclopedia…..

One of the very first bands to take part in the San Francisco rock scene of the sixties.  Quicksilver can trace its roots back to 1965.  They played mostly for the citizens of Haight-Asbury at free concerts and for the patrons of the Fillmore and Avalon at the height of the flower period in 1966 and 1967.  They did not record until quite late in their careers, turning down offers until they considered themselves entirely put together and ready for the studio.  Their first album disappointed some of their fans in that it was a “studio” album in the traditional sense, with much of the band’s in-concert power pasteurized (albeit magnificently).  They more than made up for this lack of edge on their second album, Happy Trails, one of the finest live albums ever recorded.  Lead guitarist Cipollina’s glittering, quivering guitar lines stole the show, making the hard-hitting band sound like the equivalent of a sea resort “happy feet” machine.

So with this as an introduction I give you the first two Quicksilver albums in their entirety.  I highly recommend that you take the time to enjoy the talents of John Cipollina (guitar), Gary Duncan (guitar, vocals), David Freiberg (bass, vocals), and Greg Elmore (drums)……..

Quicksilver Messenger Service (1968)

Happy Trails (1969)

While the two albums above were represent Quicksilver at the height of their musical prowess, their biggest radio hit was still yet to come in 1970.  As a bonus, here is a great 1971 live version of that hit, Fresh Air, from 1971 at the Fillmore.

By the time of this performance John Cipollina had left the band and Dino Valente had returned.  (note: Dino was a founding member of the group but was in jail for a pot bust by the time the group recorded their first two albums.)

Epic Opening Riff #3

Posted by thebestmusicyouhaveneverheard on August 17, 2013
Posted in: EPIC Riffs. Tagged: Epic Riffs. 2 Comments

Hammond B3

So…..this is my third post in the new Epic Opening Riff series.  Today’s riff features a Hammond B3 organ and comes from a song that was popular when I was in college.  Let’s listen……

This riff is is from an very under rated keyboard player who was the leader of a very under appreciated band.  They only had a couple of hits in the early 70s and they deserved a lot more success than that.

It’s your turn now….be the first to post a comment with the name of the song and the group and I will recognize your superior  musical knowledge when I post about the song in a couple of days.  My friend Gerard got the right answer on Riff #2 (and I am betting he will know this one as well) but maybe someone else will beat him to the punch on this one.

Two’Fer Tuesday – Joe Matzzie (New Music That Doesn’t Suck)

Posted by thebestmusicyouhaveneverheard on August 13, 2013
Posted in: Add These To Your Playlist Now, New Music That Doesn't Suck, Two'fer Tuesday. Tagged: Joe Matzzie. Leave a comment

Joe Matzzie

Several times in the last year I’ve received requests from up and coming artists to post about their music.  My criteria for deciding whether or not post is always: “Do I like their music?”

Today’s Two’Fer Tuesday post is about one of those artist, Joe Matzzie.  Before we get to his music let’s have Joe tell you a little bit about himself.

Hi, I’m Joe Matzzie. I play guitar, write songs, and compose music.  My music has appeared in movies, television, radio, web videos, theater and interactive games.  I also  assist other composers with orchestration, transcription & technical support.

Growing up in Pittsburgh I was exposed to a lot of acoustic music from a young age, beginning on the guitar at the age of 5 as well as viola and trumpet close after. Over the years I have played Classical guitar, Gypsy Jazz, Old Time Fiddle Music, Renaissance, Medieval, Macedonian Gypsy Folk, Traditional Celtic, Bluegrass & Hawaiian.  I have played at theme parks, parades, costume balls, in concert halls to audiences of thousands, and busked in the streets of New York City, Florence, Paris, Philadelphia, Boston and Pittsburgh.

I developed my interest in the relationship between music and story while creating and arranging music for live theater in and around New York City. I served as musical director for the likes of King’s County Shakespeare Company, and The Actors Shakespeare Company. I also worked with Maurice Sendak on the national tour of the musical Really Rosie.

I especially love writing songs and am currently focusing on writing & performing new songs.

I am a graduate of the Film Scoring Department at Berklee College of Music, and also hold a degree in Classical Guitar Performance from Duquesne University.

I currently work and live in Los Angeles.

As it turns out, Joe is working on a new album, This Box Makes Noise, and has posted a lot of rough tracks that are in work for the album.  Today I am featuring my two favorites from those tracks.  First up is California Dreamin On Ya, which is under consideration for the first single.  Let’s listen…….

California Dreamin On Ya

While California Dreamin On Ya shows a lot of promise, I think Joe is making a huge mistake if he chooses to release it as his first single.  Why?  Because this next song, There’ll Be Hard Times, is absolutely brilliant and must be the first single! See what you think…….

There’ll Be Hard Times – Joe Matzzie

This song has already made it to the top of my playlist and I expect it to stay there for a while.  Really good stuff.

Fortunately for you, Joe has posted the two tracks above, along with others, for download on Soundcloud.  Here’s the link…….grab them while you can.

https://soundcloud.com/joematzzie/sets/cd07

One more thing….Joe is using Kickstarter to fund the recording of This Box Makes Noise.  A pledge of only one dollar will get you a free download of the album when it is finished.  Pledges of higher amount will get you some amazing benefits including Joe doing a house concert for you.  If you are interested, be sure to checkout his Kickstarter site at the link below.

http://www.kickstarter.com/projects/joematzzie/this-box-makes-noise

Monday Matinee #16 – Chicago 1970

Posted by thebestmusicyouhaveneverheard on August 12, 2013
Posted in: Monday Music Matinee, RIP, Rock History, Tragic Rock Stories. Tagged: Chicago. Leave a comment

Chicago 1

As a follow-up to yesterday’s 1970 Chicago concert, here is a mini 1970 documentary on Chicago from the NBC video news magazine “First Tuesday”.  I think you will like it……

In my Chicago posts over the past few days I have intentionally avoided one topic that needs to be addressed.  Terry Kathy, the amazingly talented Chicago guitarist, died in early 1978 from an unintentionally self-inflicted gunshot wound.  It was a senseless and tragic loss for the band and for music in general.  The details are provided below (thanks to Wikipedia for this information)…..

Around 5 p.m., on January 23, 1978, after a party at roadie and band technician Don Johnson’s home in Woodland Hills, Los Angeles, California, Kath took an unloaded .38 revolver and put it to his head, pulling the trigger several times on the empty chambers. Johnson had warned Kath several times to be careful. Kath then picked up a semiautomatic 9 mm pistol and, leaning back in a chair, said to Johnson, “Don’t worry, it’s not loaded”. To assuage Johnson’s concerns, Kath showed the empty magazine to Johnson. Kath then replaced the magazine in the gun, put the gun to his temple, and pulled the trigger. However, there was a round in the chamber, and Kath died instantly. Kath was one week short of his 32nd birthday. He left a widow, Camelia Emily Ortiz (whom he married in 1974; she would later marry actor Kiefer Sutherland), and a daughter, Michelle, born in 1976.

Terry Kathy 1

RIP Terry!

Sunday Sessions #17 – Chicago (July 21, 1970)

Posted by thebestmusicyouhaveneverheard on August 11, 2013
Posted in: Rock History, Sunday Sessions. Tagged: Chicago. Leave a comment

Chicago

Today I have a special treat for you.  A fully restored video of a Chicago concert from 1970.  If you have ever wanted to go back in time and enjoy some music from 1970 this is your chance.  The full story behind the video (from a February press release) is provided below.

In the summer of 1970, legendary music promoter Bill Graham presented a series of concerts featuring acts including The Who, Miles Davis, Jethro Tull and Santana at Tanglewood, the then-classical music venue in the Berkshires.  Taking his crew on the road from the Fillmore in New York City to the scenic backdrop of Western Massachusetts, Bill Graham produced an unparalleled run of shows considered a technical and artistic triumph at the time.

For the July 21, 1970 date, Graham originally tapped Joe Cocker and then Jimi Hendrix to headline.  Unfortunately, both acts were ultimately unable to commit to the date.  So Graham took a risk, inviting a new band with only a handful of catchy radio hits at the time.  The band was Chicago and this opportunity proved a turning point for the group.  The Fillmore at Tanglewood shows had become high-profile events, drawing media, industry and large crowds.  The new band on the scene had a lot to prove in the headlining slot and, much to Graham’s credit and his audience’s revelation, Chicago delivered a monstrous performance.

Now, for the first time ever, Concert Vault is offering the once single-camera captured performance as a complete, multi-camera video of Chicago live at Tanglewood with fully-remastered audio.  Newly mixed from Bill Graham’s never-before-heard multi-track masters, stored away for four decades, this footage has been painstakingly restored and digitized to present the best quality possible for online streaming. And with 8-track audio remixed and mastered by the Grammy Award-winning engineers at the Magic Shop, this incredible recording sounds as good as it looks.

Here is the set list from this amazing concert

1. Introduction – 7:13
2. In the Country – 6:51
3. Does Anybody Really Know What Time It Is? – 8:22
4. 25 or 6 to 4 – 7:03
5. Poem for the People – 5:38
6. I Don’t Want Your Money – 6:44
7. Mother – 5:45
8. It Better End Soon – 14:39
9. Beginnings – 7:40
10. Ballet for a Girl in Buchannon – 12:35
11. I’m A Man (Encore) – 9:12
12. Terry Kath Outro/Bill Graham Closing Announcements

Enough talking………enjoy the show!

Most People – New Dawes Video

Posted by thebestmusicyouhaveneverheard on August 10, 2013
Posted in: Add This To Your Playlist Now, Collaborations, I Got You Covered, New Music That Doesn't Suck. Tagged: Dawes, Mumford and Sons. Leave a comment

Dawes

I’m a big Dawes fan (you already know this if you have been reading this blog!).  They recently released a new video for Most People from their Stories Don’t End album.  It includes some good tour footage so I thought you might enjoy it.

As a bonus, here is a great clip of a Dawes/Mumford and Sons performance of a little ditty that some of you might be old enough to have heard before 🙂

And Epic Riff #2 is From………25 or 6 to 4 by Chicago

Posted by thebestmusicyouhaveneverheard on August 10, 2013
Posted in: EPIC Riffs, Rock History, Rock Interviews. Tagged: Chicago. Leave a comment

Chicago

The year is 1970…..the Chicago Transit Authority had changed its name to simply Chicago and just released its second album called simply Chicago II.  Under the leadership of producer James Guercio (you might want to search out my earlier post on the Buckinghams who he had produced in the 60s) the horn driven rock band was in the process of becoming one of most popular bands of the 1970s.  Robert Lamm, the keyboard player, had written 25 or 6 to 4 for Chicago II and it became the group’s biggest hit up to that point in time reaching number 4 on the US singles chart in June of 1970.  I was about to turn 17 in June of 1970, enjoying summer break between my junior and single years of high school, and I loved this song.  Let’s listen………

This song has a lot to offer: the great bass riff by Peter Cetera who also sings lead vocals; the amazing Chicago horns; and a wonderful guitar solo (including some solid way-wah pedal action) by Terry Kath.  i hope you like it as much as I do!

There has been a lot of controversy regarding the meaning of the song.  Over the years, many people have claimed the song was about drugs but I think we can put that rumor to rest by letting Robert Lamm set the story straight…….

If you like Chicago be sure to check back in on Sunday.   I have a really special Sunday Session post planned for you.

By the way…..thanks to my friend Gerard who once again demonstrated is knowledge of music by identifying the song and the group based on just the opening Riff!

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